Things Lost.
Apocalypse No
Writing a Wagnerian score requires (I think) a sense of the transcendent. To write The Lord of the Rings or to paint Leda and the swan, one need not believe in Norse gods raging in battle against chill skies, or a muscled Zeus throwing thunderbolts, or Pan leering from darkling forests. You need a mind that doesn’t smell of electrical insulation. This, few now have. The sciences are remorselessly literal. They do not admit of transcendence, wonder, or magnificence. People today drink this terrible narrowness with their mother’s milk and seldom get beyond it. They do not know what they have lost.
Apocalypse No
But this new leadership class, those roughly 35 to 40, grew up in a time when media dominated all. They studied, they entered a top-tier college, and then on to Washington or New York or Los Angeles. But their knowledge, their experience, is necessarily circumscribed. Too much is abstract to them, or symbolic. The education establishment did them few favors. They didn't have to read Dostoevsky, they had to read critiques and deconstruction of Dostoevsky.